Both structure and material notify each other as a tale produces. Structure includes the storyboard of moments that drive a tale to its summary. It's the structure, the summarize, the scaffold for the choices of what to existing. Content includes activities that figures execute within particular configurations. These are the activities that carry lifestyle to connections and suspense to the structure.
To develop an interesting and fulfilling tale, overlay a belief as a super-structure. It will act as mile-markers on a road. Below is an example from the Caucuses made up of 13 motions of a highly effective, eventually fulfilling tale of hubris and penalties. It predates the Ancient tale of Prometheus who took flame and was chained to a stone.
While fighting wicked feelings in his look for for a new bride, his two bros were murdered, and Amirani tried destruction, but found to his surprise that he came back to lifestyle. Thereafter, Amirani discontinued his look for for a new bride, and motivated by the biggest God, he took on another Massive. He is ingested by the Dark Monster. Amirani reduces the dragon's tummy and comes out, and then he requires on maximum god himself. In reaction for his insolence, God penalized him in three stages: he fixed Amirani to a publish motivated strong in our planet, second, God, hidden him in stores under a hill successfully pass, which established a cave-like dome over him; and third, for one evening each season, the hill started out to expose Amirani revoked in air where a individual tried in useless to launch him, and the hill shut again in impact of the extreme discuss of lady.
In this example the first activity of the tale is 'While fighting wicked feelings in his look for for a new bride, his two bros were killed'. The tale you are composing will need to expose the wicked spirits: are they bad police, scammers, damaged authorities, etc? Who or what is the bride?-a lady, a good profession, satisfied lifestyle, cash, etc.? Who are his two bros and how were they killed?
Filmmakers flush-out the motions of experiences by shooting locations and meeting with stars. They are drawing the configurations and figures. For configurations, I consider feelings and locations available to me for trips. For figures, I use designs of individuals I realized and adjust them to highlight a particular attribute. To make the configurations and figures more actual, I obtain pictures and build collages. I provide them with conversation by composing an common day where they are presented to another personality.
The collages and pictures notify activities and the activities are structured into moments and sections.
My name is Douglas Rugh, and my techniques develop potential and improve income.
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